Happy Birthday To You
Happy Birthday To You
Happy Birthday Dear _____
Happy Birthday To You

"Happy Birthday to You", also known more simply as "Happy Birthday", is a traditional song that is sung to celebrate the anniversary of a person's birth. According to the 1998 Guinness Book of World Records, "Happy Birthday to You" is the most well recognized song in the English language, followed by "For He's a Jolly Good Fellow" and "Auld Lang Syne". The song's base lyrics have been translated into at least 18 languages.

The melody of "Happy Birthday to You" comes from the song "Good Morning to All", which was written and composed by American sisters Patty Hill and Mildred J. Hill in 1893. They were both kindergarten school teachers in Louisville, Kentucky, developing various teaching methods at what is now the Little Loomhouse. The sisters created "Good Morning to All" as a song that would be easy to sing by young children. The combination of melody and lyrics in "Happy Birthday to You" first appeared in print in 1912, and probably existed even earlier. None of these early appearances included credits or copyright notices. The Summy Company registered for copyright in 1935, crediting authors Preston Ware Orem and Mrs. R.R. Forman. In 1990, Warner Chappell purchased the company owning the copyright for US$15 million, with the value of "Happy Birthday" estimated at US$5 million. Based on the 1935 copyright registration, Warner claims that U.S. copyright won't expire until 2030, and that unauthorized public performances of the song are technically illegal unless royalties are paid to it.

In European Union (EU) countries the copyright in the song will expire December 31, 2016.

The actual U.S. copyright status of "Happy Birthday to You" began to draw more attention with the passage of the Copyright Term Extension Act in 1998. When the U.S. Supreme Court upheld the Act in Eldred v. Ashcroft in 2003, Judge Breyer specifically mentioned "Happy Birthday to You" in his dissenting opinion. Professor Robert Brauneis went so far as to conclude "It is doubtful that 'Happy Birthday to You', the famous offspring of 'Good Morning to All', is really still under copyright", in his heavily researched 2008 paper.

The origins of "Happy Birthday To You" date back to the mid-nineteenth century, when two sisters, Patty and Mildred J. Hill, began singing the song "Good Morning To All" to their kindergarten class in Kentucky. In 1893, they published the tune in their songbook Song Stories for the Kindergarten. However, many believe that the Hill sisters most likely copied the tune and lyrical idea from other songs from that time period.[10] There were a number of popular and substantially similar nineteenth-century songs that predated the Hill sisters' composition, including Horace Waters' "Happy Greetings to All"; "Good Night to You All", also from 1858; "A Happy New Year to All", from 1875; and "A Happy Greeting to All", published 1885.The copyright for both the words and the music of "Good Morning to All" has since expired and both are now a part of the public domain.

The Hill Sisters' students enjoyed their teachers' version of "Good Morning To All" so much that they began spontaneously singing it at birthday parties, changing the lyrics to "Happy Birthday".[10] In 1924, Robert Coleman included "Good Morning to All" in a songbook with the birthday lyrics as a second verse. Coleman also published "Happy Birthday" in The American Hymnal in 1933. Children's Praise and Worship, edited by Andrew Byers, Bessie L. Byrum and Anna E. Koglin, published the song in 1928.

In 1935 "Happy Birthday to You" was copyrighted as a work for hire by Preston Ware Orem for the Summy Company, the publisher of "Good Morning to All". A new company, Birch Tree Group Limited, was formed to protect and enforce the song's copyright. In 1998, the rights to "Happy Birthday to You" and its assets were sold to The Time-Warner Corporation. The company continues to insist that one cannot sing the "Happy Birthday to You" lyrics for profit without paying extremely high royalties (by some accounts, upwards of $10,000 for a single use in a film or television program[citation needed]). This includes use in film, television, radio, anywhere open to the public, or even among a group where a substantial number of those in attendance are not family or friend to whoever is performing the song.

Except for the splitting of the first note in the melody "Good Morning to All" to accommodate the two syllables in the word "happy", "Happy Birthday to You" and "Good Morning to All" are melodically identical. Precedent (regarding works derived from public domain material, and cases comparing two similar musical works[citation needed]) seems to suggest that the melody used in "Happy Birthday to You" would not merit additional copyright status for one split note. Whether or not changing the words "good morning" to "happy birthday" should be covered by copyright is a different matter. The words "good morning" were replaced with "happy birthday" by others than the authors of "Good Morning to All". Regardless of the fact that "Happy Birthday to You" infringed upon Good Morning to All, there is one theory that because the "Happy Birthday to You" variation was not authored by the Hills, and it was published without notice of copyright under the 1909 U. S. copyright act, that the 1935 registration is invalid.

Many question the validity of the current copyright, as the melody of the song was most likely borrowed from other popular songs of the time, and the lyrics were improvised by a group of five and six-year-old children who never received any compensation.The song is currently set to pass in to the public domain in 2030.

THE NIGHT BEFORE CHRISTMAS
by Clement Clarke Moore
or Henry Livingston

'Twas the night before Christmas, when all through the house

Not a creature was stirring, not even a mouse;

The stockings were hung by the chimney with care,

In hopes that St. Nicholas soon would be there;



The children were nestled all snug in their beds,

While visions of sugar-plums danced in their heads;

And mamma in her 'kerchief, and I in my cap,

Had just settled down for a long winter's nap,

When out on the lawn there arose such a clatter,

I sprang from the bed to see what was the matter.

Away to the window I flew like a flash,

Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow

Gave the lustre of mid-day to objects below,

When, what to my wondering eyes should appear,



But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,

I knew in a moment it must be St. Nick.

More rapid than eagles his coursers they came,

And he whistled, and shouted, and called them by name;

"Now, Dasher! now, Dancer! now, Prancer and Vixen!

On, Comet! on Cupid! on, Donder and Blitzen!

To the top of the porch! to the top of the wall!

Now dash away! dash away! dash away all!"

As dry leaves that before the wild hurricane fly,

When they meet with an obstacle, mount to the sky,

So up to the house-top the coursers they flew,

With the sleigh full of toys, and St. Nicholas too.



And then, in a twinkling, I heard on the roof

The prancing and pawing of each little hoof.

As I drew in my hand, and was turning around,

Down the chimney St. Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,

And his clothes were all tarnished with ashes and soot;

A bundle of toys he had flung on his back,

And he looked like a peddler just opening his pack.

His eyes -- how they twinkled! his dimples how merry!

His cheeks were like roses, his nose like a cherry!

His droll little mouth was drawn up like a bow,

And the beard of his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,

And the smoke it encircled his head like a wreath;

He had a broad face and a little round belly,

That shook, when he laughed like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,

And I laughed when I saw him, in spite of myself;

A wink of his eye and a twist of his head,

Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,

And filled all the stockings; then turned with a jerk,

And laying his finger aside of his nose,

And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team gave a whistle,

And away they all flew like the down of a thistle.



But I heard him exclaim, ere he drove out of sight,

"Happy Christmas to all, and to all a good-night."

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